Rain­ing cats and dogs and blokes in high-vis vests

Crane crash at Melbourne Uni

A cherry-picker invest­ig­ates a tree from the inside. Click for a lar­ger ver­sion on the ABC web­site. Photo credit: ABC News: Karl Hoerr

See the open win­dow at the top? That’s my office. Read the full story here:

http://www.abc.net.au/news/stories/2008/05/27/2256870.htm

The boom arm on the cherry picker, which is essen­tially a steel I-beam about 80cm square, bent in half on impact. It all happened about 20 minutes before I got to work. The driver was saved from being turned into a windscreen-mosquito on the build­ing to the left by the tree.

Cli­mate change skep­tics take note: you may not care that trees suck up your car­bon diox­ide, but you’ll miss them next time you drive heavy con­struc­tion machinery off a tall building.

Posted in not writing, photos | Leave a comment

A milk­shake for Dennis

You will be grat­i­fied to read that sen­sa­tion is return­ing to my tongue.

Obvi­ously I don’t know why that news should affect you so, but that’s hardly my fault, is it? I can’t be held respons­ible for every drool­ing per­vert who obtains their tiny, dis­gust­ing thrills wan­der­ing the inter­net in search of lurid reports on the status of my per­sonal mouth parts, now can I? I only brought up the sub­ject of my tongue as a per­fectly inno­cent lead-in to a divert­ing story about dentistry, but now you’ve soiled it with your revolt­ing animal urges I’ve half a mind to pack the whole thing in and run off to become yet another one of those damn Fair­fax Blog­gers for hire.

You sicken me. There, I’ve said it. No, wait: I love you. Let’s never argue again. Have a peanut.

I won­der what they make the stuff out of that goes in dental anaesthetic?

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My name is Mat,’ I say. ‘I have a three o’clock appointment.’

Cer­tainly,’ says the dental nurse. ‘Wait a second — didn’t I see you on Tempta­tion last night on the TV?’

No,’ I say. ‘I’m afraid I’ve got out of order with my blog posts, so you can’t have seen me last night until I write about it, which won’t be until the week­end. It’s an internal con­tinu­ity thing.’

Oh,’ she says uncertainly.

Sorry about this,’ I say, ‘the whole thing’s a right palaver, but I’m sure I’ll post about it on the week­end, so by Monday you will def­in­itely have seen me on TV last night.’

She asks me to go into the wait­ing room. Fair enough, really.

While I wait, a short note on dentistry in the pop­u­lar arts: a inor­din­ate amount of Sein­fel­dian, obser­va­tional, did-you-evah-notice-style stand-up com­edy has been devoted to the dental and ortho­dontic exper­i­ence since the nine­teen eighties, and close study of the genre by learned schol­ars over this time has drawn two major con­clu­sions on the sub­ject, viz.:

  1. it is almost all a load of com­plete arse, and
  2. stop it.

As I am being seated, bibbed and unfash­ion­ably sunglassed, then, I choose not to sub­ject you to the usual sad run-through of rinse-and-spit gags, but will instead allow you to accom­pany my mind as it wanders back to a sim­pler time when the sky is clear, herds of dent­ists roam the veldt unmo­les­ted by sports-jacketed punch­liners and, almost magic­ally, it has taken eight needles to per­suade my twelve year-old cheek to fall asleep.

It is 1986, and I am walk­ing out of a dentist’s rooms with one side of my face utterly flac­cid, in the man­ner of one who has allowed his admir­a­tion for Sylvester Stal­lone to pro­gress one crit­ical step too far. I am barely out of view of the baffled dent­ist, who has just pumped half of his monthly sup­ply of No-Tooth-Hurt-O-Stuff (how do I know what it’s called? You’re already on the inter­net — look it up your­self) into my mand­ible when it occurs to me that I have to take the bus home.

A bus ticket in those days costs sixty cents. Alone at the stop, I give it a try.

Schis­chty schentsch, plisch.’

It’s about an hour’s walk home, but I’m only four stops along, with my mood much improved by the thought that if I take the head off the rake at home I can pre­tend to be Mon­key instead of Pigsy, when the bus catches up with me. How­ever much I try to wave him away, he pulls over and opens the door.

Come on kid,’ he calls grump­ily. ‘I haven’t got all bloody day.’

I turn to face him.

Jesus!’ he cries.

Iss awwight,’ I say. ‘I’ww wawk.’

He’s leap­ing out of his seat. ‘Stay there, son!’ he says, very slowly and very loudly. ‘I’ll come help you on board!’

Whah?’

Come on, little matey, who was sup­posed to get you home?’ He walks me up the stairs into the bus. I don’t know what’s going on, but I think my priest warned me about it. I decide to play it cool for now.

Schis­chty schentsch, plisch.’

I hope he hasn’t noticed my speech imped­i­ment. He seems quite flustered.

Keep your hand in your pocket, you poor little bug­ger. I don’t know who would leave a spas— a ret— you know, a, a … spe­cial kid like you out on the street to make his own way home.’

I pause. This is either what my priest told me about, or—

Oh no.

Waigh, no, I’m awwight, weawwy awwight!’ I protest.

’Course you are son, you’re very clever!’ he bawls. ‘I’m going to take you to Child Services!’

No, wis­chen to me, it’sch juscht — I’ww been to zhe dennisch!’

Den­nis? Is that your name?’

No!’

God, the poor daft head­case doesn’t even know what his name is! You sit right behind me son, I’ll get you to safety!’

Oh, for fuxsch’s schake … ’

That’s right Den­nis, when you get to the foster home you can have all the milk­shakes you want.’

And so forth. I’d never exper­i­enced such a power­fully edu­cat­ive example of the ter­rible indig­nit­ies people with dis­ab­il­it­ies are sub­jec­ted to every day. Nat­ur­ally, I grasped the oppor­tun­ity to flee when the doors opened near my house to let on some spackers.

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I’m wan­der­ing men­tally from the bus into a mid-twenties exper­i­ence in which a grumpy dent­ist informed me that if my tongue bumped his drill once more he was going to install the filling in my brain (this, like the bus, is a true story), when I am roused by my cur­rent dent­ist, who tells me I’m all done.

On the way out, the nurse warns me against acci­dent­ally bit­ing my tongue, chew­ing or attempt­ing online prose while the anaes­thetic wears off.

Good luck with the TV show,’ she adds. ‘I will have hoped you did well.’

Scheerzh,’ I say with pre­cisely half of a charm­ing grin.

I have my car, which surely guar­an­tees me a private, unpat­ron­ised trip home. Over­joyed by the sub­lime bene­fits of adult­hood, I flip on the radio and launch into a pas­sion­ate, semi-paralysed rendi­tion of the wild middle bit from Bryan Ferry’s ‘Let’s Stick Together’. As I pull away from the curb, I am haunted only briefly the con­vic­tion that I had heard one passing ped­es­trian say to another, ‘I didn’t know they let them drive cars.’

Posted in complete mortification, oral matters | Comments closed

Thai food nearly broke my ankle

We’ve ordered Thai food. ‘They say we can pick it up in twenty minutes,’ says the Evil Sulphura.

We should leave here in twenty minutes,’ I say. ‘It always takes at least half an hour, and I always end up sit­ting in that crowded bit at the front, wait­ing with all the other gull­ible losers who believed it would only be twenty minutes, while an end­less stream of smug win­ners swan past me and col­lect theirs straight away. They’re the smart ones; they’re the ones who waited an extra ten minutes.’

That doesn’t make any sense. How do you even know they’ve waited another ten minutes?’ says Sulph.

It hap­pens every time,’ I insist. ‘There’s some­thing tri­umphant in the way they swish their car­rier bag as they leave.’

They prob­ably just ordered less than us.’

I take this as an accus­a­tion of glut­tony. ‘I’m going to do some work on the com­puter,’ I say, stalk­ing off towards the study.

We’re leav­ing in ten minutes!’ Sulph calls after me. I pre­tend not to hear.

Ten minutes pass.

Are you ready?’ calls Sulph.

I’m play­ing a game now,’ I say. ‘I’m just fin­ish­ing. Give me a few minutes.’ I watch the clock tick: I have decided that I am going to prove my extra-ten-minute the­ory by for­cing us to leave after twenty minutes. I have decided that tonight, I will be one of the winners.

I’m hungry!’ calls Sulphura.

I can’t find my shoes!’ I lie.

We leave after pre­cisely twenty minutes, in some­thing of a tense silence. As we approach the res­taur­ant, Sul­phura says, ‘it’s too busy to park: you jump out and I’ll drive round the block.’

Make it a short block,’ I say con­fid­ently, ‘because I’ll be out in thirty seconds.’

The car veers away. I race into the res­taur­ant. The crowded bit at the front is crowded with empty benches. ‘I’ve got a phone order under the name Sul­phura,’ I say to the cashier.

Oh sure,’ says the cash­ier. ‘You’re pretty much the only order we’ve had all night. It actu­ally only took about fif­teen minutes, sorry.’

She hands me a car­rier bag. It’s a freak event: I used to live oppos­ite this res­taur­ant, and I’ve never seen it empty. It proves noth­ing. The bag is cool to the touch.

I race out into the street and, see­ing Sul­phura emer­ging from a side street, I change dir­ec­tion too fast, tread on the edge of the kerb and twist my ankle, the loss of equi­lib­rium caus­ing me to invol­un­tar­ily fling our tepid din­ner about my head. I limp the rest of the way to the car, even though there’s no real damage.

So,’ says Sul­phura, ‘did you feel like a winner?’

Bloody Thai food nearly broke my ankle!’ I cry.

Posted in Evil Sulphura, The, complete mortification, gluttony, neurosis, writing | Comments closed

I like your trousers

I exit the office burst­ing with self-esteem and skip out onto Swan­ston Street with an impromptu soft-shoe shuffle of which Gregory Hines would have been proud. It’s a beau­ti­ful day, the finest in nearly a dec­ade, for today I am bound for a café at which I intend to pur­chase a cup of coffee.

Full strength coffee.

It’s been more than eight years since I gave up all caf­feine after I dis­covered it was mak­ing me ter­ribly ill. Over the past five, I’ve slowly been work­ing it back into my life, begin­ning with two years of almost caffeine-free green tea, then three of black tea — at first just an exper­i­mental half-cup of Girlie Grey in the safety of my kit­chen, then as my kid­neys grew reck­less entire pots of Irish Break­fast at street cafés like a com­mon har­lot. It was fant­astic, and my head reeled like a Scot­tish dance party, but I main­tained my dis­cip­line. I had a goal, and today I am ready to grasp it. The tea isn’t doing it for me any­more. My body is whole again. I need a coffee.

I jeté into the café, eleg­antly, but not show­ily; the kind of thing Gene Kelly might appreciate.

Good­ness,’ says the barista, ‘but aren’t you limber!’

I am!’ I exclaim. I adopt a cod-Russian accent. ‘De danser, he alvays stretch before he order de cof­fee, da?’

Da indeed!’ says the barista.

Da!’ I exclaim again, execut­ing a plié which only ret­ro­spect­ively seems excess­ive. Right now, I’m in the moment. I’m filled with joy. The barista and I share a laugh.

What can I get you?’ he asks.

I would like,’ I say, tast­ing the long-anticipated words on my lips, ‘a latte. To go.’

Com­ing right up, Bary­sh­nikov,’ he smiles, and gives me a wink. I return it, even though I nor­mally frown at people who wink at me on the grounds that it’s las­ci­vi­ous and for­ward, and mer­rily per­use the paraphernalia, won­der­ing if a per­son order­ing cof­fee here has ever been so delight­fully whimsical.

He sets the machine and looks at me once more. ‘I like your trousers,’ he says.

It’s as though God is tick­ling me. These are my favour­ite trousers and no one ever notices them. Until right now I have never had this thought.

Aren’t they won­der­ful?’ I say.

They’re beau­ti­ful,’ he says. ‘So well cut. Come around the counter so I can see them.’

I come around the counter and he sees them.

Good­ness, they fit so well!’ he says. ‘That’s it, I must have them. Whip them off.’

Oh, get away with you,’ I say mock-coquettishly, ‘I don’t give it up that eas­ily.’ This banter, I think, is going really well. We’re hav­ing a great laugh, me and my new friend the barista. ‘Per­haps some other time.’

I get off at five!’ he cries. ‘It’s a date!’ We laugh again.

Well, here’s your cof­fee,’ he says. He hands me my change. ‘My name’s Justin, by the way.’

He shakes my hand in a way that changes things.

Um, Mat,’ I say.

See you soon Mat,’ says Justin.

I walk back to the office.

Look at this!’ says my col­league Patsy. ‘The first proper coffee!’

Yes,’ I say.

What’s with you? I thought you’d be delighted.’

Well, look, I — listen, do you know Justin from the café?’

Sure, he’s a great guy, always jok­ing, lots of fun.’

Yes! He’s a joker, yes? Likes a joke?’

Yeah.’

Thank God. For a minute there I thought I’d just acci­dent­ally arranged a date with him.’

Patsy blinks at me. ‘His boy­friend just dumped him.’

I sip my cof­fee slowly. It’s really hot.

…to be con­tin­ued in I still like your trousers

Posted in caffeine, complete mortification, trousers | Comments closed

Of human Bondage

Oscar, The Evil Sul­phura and I have gone to see the new Bond film, Casino Roy­ale. The first ten minutes takes place in a men’s bath­room, in which a fight involving broken urin­als and wildly spray­ing plumb­ing leads neatly into Bond’s iconic flip-around-and-shoot-the-cameraman move.

It is excit­ing and viol­ent and it awakens an urge deep in my bladder.

I squint at my ticket in the dark­ness. ‘8.30 — 11.15’, it says. It is barely quarter to nine. I decide to rush out and back as quickly as pos­sible, but by the time I build up the nerve to slink across my row the first thrill­ing action sequence starts and I’m locked anxiously into my seat.

The fol­low­ing 150 minutes pass in altern­at­ing stripes of exhil­ar­a­tion and lower abdom­inal dis­tress. The film seems to pass in a delib­er­ately pro­voc­at­ive sequence of scenes in which people are vari­ously emer­ging from, plum­met­ing into, pour­ing, drink­ing and occa­sion­ally spurt­ing from mul­tiple bul­let holes with, watery fluids.

Stop squirm­ing,’ hisses Sulph.

I have to pee,’ I whisper.

Just go then!’ she says.

I can’t! I’ll miss an import­ant bit of plot!’

Sulph glares at me. ‘It’s a Bond film — Bond good, bad guy evil, woman evil stroke sexy. You’re just mak­ing an excuse because you’re scared of pub­lic toilets.’

I am not scared of pub­lic toi­lets!’ I exclaim.

Oscar leans over. ‘Is there a situ­ation?’ he asks.

He needs to pee, but he’s afraid to go,’ says Sulphura.

Oscar observes me. ‘You can’t go,’ he says. ‘You’ll miss an import­ant bit of plot.’

I make an expres­sion which weaves tri­umph into excru­ci­at­ing pain. Sulph presses her eye­balls with her fin­gers. We sit back to watch the film, which had just reached a scene in which Bond under­goes hor­rific gen­ital tor­ture. Men­tally switch­ing chairs with him brings only tem­por­ary relief.

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The cred­its roll, and because of a very spe­cific form of obsess­ive com­puls­ive dis­order I sit through the entire cred­its, includ­ing the model makers and the drivers of the cater­ing vans. When I see the words JAMES BOND WILL RETURN, how­ever, I’m off like a hare.

The cinema toi­lets are large and white and remark­ably remin­is­cent of the bath­room from the Bond film. The last of the other film­go­ers is leav­ing as I arrive, so I have my choice of urin­als. As the dam bursts, I think as I always do of my favour­ite word for this pro­cess: mic­tur­ate…

Then it’s over, and I’m stand­ing alone at the urinal in the Bond-bathroom, and behind me are the mir­rors for the basins. It’s silent. I can’t hear any­one com­ing. I may not get another chance to do this. Should I? What if someone opens the door just as I’m doing it? I’d hear someone com­ing. Wouldn’t I?

I zip up. Listen. Silent. I’ll never get the chance again. Do it.

The soundtrack begins in my head — twangy gui­tar first, then the tower­ing brass. I spin around, fin­gers cocked like a .38 Spe­cial, and shoot the mirror. 

Bang!’ I yell joy­ously at the top of my voice. For a micro­second, I am as happy as it is pos­sible for a freshly-relieved man who has just seen a Bond film to be.

Then I notice that one of the cubicles is not vacant. Under the door, a pair of shoes is keep­ing per­fectly still.

Oh, um, sorry,’ I say, ‘I — ’

Then every urinal in the room sim­ul­tan­eously begins its auto­matic flush cycle and the secret agent in the mir­ror leaps in three dir­ec­tions at once and yelps a G above high C.

Oscar walks in. He looks at me. I am stand­ing in the middle of the pub­lic toi­let, shak­ing, my fin­gers cocked like a gun.

I’m not doing any­thing,’ I say reflexively.

There is a short silence.

It’s alright,’ says Oscar mildly. ‘Pub­lic toi­lets can be scary.’

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When we get home, I admit to Oscar that I’ve never read any­thing by Ian Flem­ing. He sighs, reaches into his book­case and hands me a slim volume.

A hun­dred pages in at two the next morn­ing I begin to get frus­trated at how long it’s tak­ing for Bond to make his first appear­ance. Frown­ing at the cover, I try to remem­ber who played Bond in the movie of Chitty Chitty Bang Bang. I decide it must have been George Lazenby.

Posted in Evil Sulphura, The, Oscar, complete mortification, micturation | Comments closed

His amus­ing bal­loon anim­als in a vice

The fol­low­ing true story con­tains a greater pro­por­tion of uncouth words than is nor­mally tol­er­ated here at matlarkin.com. In keep­ing with our fed­eral government’s push for a return to tra­di­tional fam­ily val­ues, there­fore, these have been sub­sti­tuted with family-friendly equi­val­ents and italicised for ref­er­ence. We trust this will not affect the read­ing exper­i­ence. Thank you for your time.

“…and she said, not unless you wash it first. Wait, Davo, is this the right tram?”

“What do I look like, Doc­tor sock-puppets Tram? Just get on and we’ll ask someone.”

“Here, check out this Little-League–look­in’ all-day–sucker. What’s with the sack full of note­pads, Mum stays at home and does the cook­ing?”

“Um—”

“Who cares. Is this the right clean coal power tram?”

“Well, it depends what tram you—”

“Are you call­ing me stu­pid, you old epis­odes of Howdy Doody played late on Sundays after the West­ern?”

“—”

“Take it easy Troy, come sit down and help me roll these smokes.”

“Yeah, all right.”

“Doesn’t mat­ter where we go now, ‘cause we can’t go back to the com­pletely union-free fact­ory, can we? Not after what you just did.”

“I just wanna go back there and punch another seven col­ours of deli­cious ice-cream out of that fat cake. He gives me The Wiggles.”

“Mate, he’s not skip­ping worth it. Per­son­ally I’d love to help you back­yard cricket that relaxed and com­fort­able society’s Sunday lamb roast in. Naomi Rob­son knows I’ve thought of homemade lem­onading his amus­ing bal­loon anim­als in a vice and going on a lovely pic­nic includ­ing pony rides and a jump­ing castle all after­noon with a shift­ing spanner.”

“Too puppy-cuddling right.”

“But it’s just not worth going back to prison for.”

“Yeah, you’re right, lemon but­ter it all. But I reckon I could murder the next sens­ible woolly car­digan I see move. Just even move. The very next car­digan.”

“Mate, I’ll help you out.”

“—”

“Yeah.”

“Give us one of those cigar­ettes, would you?”

“—”

“Here you go.”

“—”

“Got a light?”

“—”

“Hey, why do you reckon that Alan Jones with the sack is hold­ing his breath?”

“Hang on a sec, I’ll ask him. Oi, nuc­lear power is safe no mat­ter what any­one says, why are you—look at that, he’s run off the tram.”

“Left behind his sack and all.”

“What a dec­ade the fifties was.”

Posted in balloon animals, wrath | Comments closed

Our con­dol­ences also go to the Irish Rovers.

I am abso­lutely dumb­struck: I’ve just seen Kim Beazley give a door­stop at which he expressed his sin­cerest con­dol­ences and best wishes to Karl Rove on the passing of his wife Belinda Emmett. I then had to run out of the room, but I pre­sume he went on to express his sor­row at the recent deaths of wild­life war­rior Steve Lieb­mann and Vic­torian Premier Peter Brocks.

By the dis­traught look on his face, I adduce that Kim might also have thought that Karl Rove was mar­ried to Dr Emmett Brown from Back to the Future. Hon­estly, since when did we get an Oppos­i­tion leader who makes state­ments on an intel­lec­tual par with Mariah Carey?

What are we to do, when the impend­ing choice is between the Devil and an eejit?

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Sew­ing hooves into a jacket

The LaTrobe Read­ing Room at the State Lib­rary of Vic­toria is pos­sessed of such a tran­quil, schol­arly ambi­ence that, in order to remind the reader of the per­fect serenity he or she is priv­ileged to enjoy, it has had to be ran­domly seeded with unoiled chairs which scream at the light­est touch like a bed full of cli­max­ing banshees.

I have returned to the LaTrobe after nearly eight­een months as a res­ult of a dis­cus­sion with my friend Oscar. He believes that I will start writ­ing again after sev­eral months of writer’s block if I start apply­ing some rigid struc­tures to my work­ing life: to become what he calls a scaf­foldist.

I have decided that the first bit of scaf­fold­ing to build is the elim­in­a­tion of all dis­trac­tions from my work envir­on­ment. How­ever, since my home office fea­tures such won­der­ful but deadly dis­trac­tions as the hat col­lec­tion, the sandwich-making facil­it­ies, the edit­or­ial con­sult­ant and the edit­or­ial consultant’s elastic mouse on a string, a sim­pler pro­pos­i­tion has become the elim­in­a­tion of the work envir­on­ment from the distractions.

Hence the LaTrobe. Find­ing a quiet desk and briefly mak­ing a lonely ban­shee very happy, I care­fully spread out sev­eral dozen spiral-bound note­pads, each per­fectly unsul­lied but for a single squiggle of an idea on the first page. I have encountered my first problem.

I often say that I carry a note­pad with me at all times in case of an unsched­uled idea, and in many ways this is a com­plete lie. What actu­ally hap­pens is that when, late in the morn­ings when I need an unsched­uled idea to learn the vir­tues of punc­tu­al­ity and clock on before lunch, I empty all of my pock­ets except for a single five dol­lar note, walk out my front gate and wander ran­domly to a point just bey­ond sprint­ing dis­tance of the house.

I then stare absently at noth­ing on the hori­zon and say to myself, aloud: ‘Wow, if I had a really good idea right now I’d have no way of writ­ing it down. I’d def­in­itely lose it forever.’

There is a news­agent just bey­ond sprint­ing dis­tance of my house. This year he is spend­ing Christ­mas in one of the nicer bits of Tahiti.

For con­veni­ence, I tear out the first page of each of the note­pads before me and tip the remainder back into their sack for the tram ride home.

What I find in three months worth of notes is at first more than slightly dis­con­cert­ing. Some of my scattered thoughts have included:

  • If you could sew hooves into a jacket, whose would you do it to?
  • Do New Zeal­anders have dom­in­atrices? If so, what for?
  • Gull­ible Alchem­ists Are Eas­ily Lead

Then, just as I’m loop­ing a make­shift noose made from spiral bind­ings over a handy beam, I read this:

The Feud

1974: two out­stand­ing sci­ence stu­dents com­pete for their faculty’s Excel­lence Award and the love of a bril­liant math­em­atician. One gets the girl, the other the medal. But the wrong man gets the wrong prize, and both remain bitter. 

2006: now dis­tin­guished pro­fess­ors, they are once again nom­in­ated for the same prize — this time the world’s most pres­ti­gi­ous sci­ence hon­our. And the bril­liant and beau­ti­ful math­em­atician is back in town. From nom­in­a­tions to award night, a cam­era crew records the degen­er­a­tion of their rela­tion­ship into open feud.

And then it all makes sense. In an instant I can see where the appalling alchem­ist pun fits, who is sew­ing hooves into whose jacket and why, and more than any­thing else I can per­ceive the cir­cum­stances under which one might deploy, with dev­ast­at­ing effect, a Kiwi dominatrix. 

I can see it all. Because it’s a film.

I’ve got to get back to my com­puter. I shove all of my notes together, grab my pen, lean back and unex­pec­tedly per­form a reverse somer­sault. It is the LaTrobe Read­ing Room, after all.

Posted in LaTrobe Reading Room, Oscar, editorial consultant, not writing, photos, sandwiches | Comments closed

The Scaf­foldist

The thing is,’ says Oscar, drain­ing his cof­fee, ‘is that the Brit­ish one pound coin is very thick, and around the edge it has some­thing writ­ten in Latin.’

Right,’ I say.

Or Welsh.’ He orders another latte. ‘One of those two. Which is the one with lots of ‘w’s?”

I’m not sure I should answer. There’s a short silence.

Doesn’t mat­ter. The point is it’s got some­thing writ­ten around it, and this is what you need.’

You want me to write some­thing in Welsh around my edge?’

Oscar looks des­pair­ingly around the café. ‘Let me go through it again.’

I’ve invited Oscar out to ask him about why I’ve gone three months without writ­ing any­thing new. He returned just last night after two weeks at a con­fer­ence in Lon­don, and although he says he’s had twelve hours sleep I can’t help but sus­pect the jet lag has not fully worn off.

For example, he’s about to say: ‘It hasn’t been three months for a start, it’s been eight.’

I blink at him. ‘No it hasn’t,’ I say, but a shadow is creep­ing through my mind and I don’t say it with much conviction.

Oscar’s latest cof­fee arrives. He points it at me. ‘When did you fin­ish your novel?’ he asks.

Feb­ru­ary.’

Right. And what have you writ­ten since then?’

Well, I star­ted work on a screen­play, for a while, and I’ve sort of begun plot­ting a second novel …’

So are we call­ing it eight months?’

Aren’t you here to help me?’

Cool your jets, we’ll get there. So, it’s fair to say things star­ted wind­ing down for you when you fin­ished The Last Monk, yes?’

I know he’s right, but instead I say, ‘Is it fair to say you’ve just increased the mag­nitude of my prob­lem by five months?’

He smiles and rum­mages about in his pocket. ‘And this,’ he says grandly, ‘is where this comes in.’ He pulls his hand out of the pocket and tri­umphantly thrusts a small, round object across the table towards me.

I look at it. ‘It’s a but­ton,’ I say.

I couldn’t find a quid,’ says Oscar. ‘Just ima­gine it’s a pound coin.’

It’s got fluff on it,’ I say.

It’s a bloody quid, alright?’ says Oscar, snatch­ing back the but­ton. He holds it up. ‘A pound coin, sym­bol of a proud nation and all it stands for, and so that no one ever for­gets it has stamped around its cir­cum­fer­ence its guid­ing prin­ciple in Latin.”

Or Welsh.’

Pos­sibly. And I don’t really know what it says, which sort of harms my argument.’

I decide to dis­creetly pay for the coffees.

But,’ says Oscar, run­ning his fin­ger around the edge of the but­ton, ‘it doesn’t mat­ter, because what this is is scaffolding.’

I decide I’ll pay for them now. The waiter is lurking.

You got up every morn­ing for six years and you knew what you were going to do that day, right? You were going to work on your novel, because that’s what you did. You had a pro­ject, a guid­ing principle.’

I wave the waiter away.

Now you get up every morn­ing and you could do abso­lutely any­thing. A screen­play? A short story? Another novel? Three hours at Office­works fond­ling the fluor­es­cent pens?’

How do you know about that?’

Oscar leans for­ward. ‘Your job isn’t like other jobs. Other people have bosses. They have reports to fill out, ditches to dig, sales to make. They have bosses. Dead­lines. Struc­ture.

Your job isn’t like that. No one tells you what to do, so with the entire world to choose from you flail about. ’Cause there’s no struc­ture. Every­one needs a struc­ture to work in, and it’s your job, pro­fes­sion­ally speak­ing, to build your own.

You can’t just be a nov­el­ist. First you have to be a scaffoldist.’

I look at him. I look at the but­ton. ‘Do you know where my dic­tion­ary of quo­ta­tions is?’ I ask.

Oscar pays for the coffees.

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